In the movie INSIDE MAN, how does Sorrento make the case that the films are “new” crime films? What, in fact is “new” to the crime film genre in the film INSIDE MAN?
1. You need to watch the movie INSIDE MAN (get the link from the Support)
2. You need to answer the topic question using the movie and the pages I have provided from a book. Not other sources are to be used. Using examples from the film and the book answer the question in 2 full pages.